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Times New Roman - Wikipedia, the free encyclopedia. Times New Roman is a seriftypeface commissioned by the British newspaper The Times in 1. Victor Lardent in collaboration with the British branch of the printing equipment company Monotype. Through distribution with Microsoft products and as a standard computer font, it has become one of the most widely used typefaces in history. Times New Roman's creation took place through the influence of Stanley Morison of Monotype. Morison was an artistic director at Monotype, historian of printing and informal adviser to the Times, who recommended that they change typeface from the spindly and somewhat dated nineteenth- century Didone typeface previously used to a more robust, solid design, returning to traditions of printing from the eighteenth century and before.
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In particular, contrast between strokes was enhanced to give a crisper image. The new font was drawn by Victor Lardent, an artist from the advertising department of The Times, with Morison consulting, before refinement by the experienced Monotype drawing office team. The new design made its debut in The Times on 3 October 1. However, all the new fonts have been variants of the original New Roman typeface. In commercial sale, Times New Roman became extremely successful, becoming Monotype's best- selling typeface of all in metal type. Morison admired this style for its solid structure and clarity.
It has, indeed, more in common with the eighteenth century. Morison wrote in a memo that he hoped for a design that would have relatively sharp serifs, matching the general design of the Times' previous font, but on a darker and more traditional basic structure. Bulked- up versions of Monotype's pre- existing but rather dainty Baskerville and Perpetua typefaces were considered for a basis, and the Ionic designs from Linotype, such as Excelsior, that were popular in newspaper printing at the time, were also examined. Morison's biographer Nicolas Barker has written that Morison's memos of the time wavered over a variety of options (and in some cases seemed to propose several or a mixture) before it was ultimately concluded that Plantin formed the best basis for a condensed font that could nonetheless be made to fill out the full size of the letter space as far as possible. He ultimately conceded that it was 'too basically circular' to be practical to condense in an attractive way. Walter Tracy and James Moran who discussed the design's creation with Lardent in the 1.
Lardent himself had little memory of exactly what material Morison gave him as a specimen to use to design the typeface, but remembered working on the design from archive photographs of vintage type, which Tracy suggests might have been the same specimen of type from the Plantin- Moretus Museum that Plantin had been based on. Named after Hever Castle, the home of the Times' owner Lord Astor. Designed early on, it was used by the Times for section headings. This was done to produce a lighter effect in which capital letters do not stand out so much, and was particularly intended for German use, since in the German language capitals are far more common since they appear at the start of each noun.
Fonts similar to 'Times New Roman': 1. Times: Times New Roman Seven: Times. Nimbus Roman: Nimbus Roman No. 9: Concorde Nova: Concorde Condensed: Dutch 809. Free Times New Roman Fonts 1 2 Next Showing 1 to 11 of 17 Results Filter 80pt. 27,542 downloads KG No Regrets by Kimberly. CSS Web Safe Font Combinations.
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Series 8. 27 modified some letters (notably the R) to correspond to their appearance in other typefaces popular in French printing. This production of what are now called stylistic alternates to suit national tastes was common at the time, and many alternates were also offered for Gill Sans for use in Europe. Listed as Times Newspaper Smalls, available as either Series 3.
Claritas. The cross- licensing was required since the Times used Linotype equipment for much of its production. Linotype referred to the design as Times or Times Roman. Monotype and Linotype have since merged, but slight differences have split the lineage of Times into two subtly different designs. Although Times New Roman and Times are very similar, various differences developed between the versions marketed by Linotype and Monotype when the master fonts were transferred from metal to photo and digital media. For example, Linotype has slanted serifs on the capital S, while Monotype's are vertical, and Linotype has an extra serif on the number 5. Subtle competition grew between the two foundries, as the proportions and details as well as the width metrics for their version of Times grew apart.
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What is the backstory to successful fonts like Times New Roman and Arial? Is there a Roman Alphabet equivalent in style.
Which is font larger arial size 11 or times new. But fonts have different. 11 or times new roman size 12? Metric Equivalent Fonts and Font Substitution. To find the best metric equivalent fonts for the ubiquitous Times New Roman and Arial. Download Free times new roman #20 Fonts. Liberation Serif is metrically equivalent font to Times New Roman. Times New Roman may be a. Times New Roman was labeled as. Reconstructed New Testament Greek pronunciation.
For compatibility, Monotype had to subtly redraw their design to match the widths from the Adobe/Linotype version. In addition, the original digitisation of Times New Roman omits automatic ligature insertion, which the version of Times installed with OS X has. In the 1. 98. 0s, there was an attempt by a group of entrepreneurs to seek from Rupert Murdoch, who owned The Times, the right to use the Times Roman name; separately, a legal action was also initiated to clarify the right of Monotype to use the name in the US despite Linotype's registration. As a result of legal action, Linotype and its licensees continued to use the name Times Roman, while Monotype and its licensees used the name Times New Roman. Additional releases exist for different specific languages and character sets.
Times New Roman World. Similar to Helvetica World, Arabic in italic fonts are in roman positions. Linotype variants.
These include: Times Ten is a version specially designed for smaller text (1. It features wider characters and stronger hairlines. The characters are subtly condensed and the hairlines are finer. The current version has no italics, but does have a lower case (whereas some Times titling fonts were capitals only). This is a complete family of designs intended for use on poor- quality paper. The updating, created by Akira Kobayashi, contains tabular numbers, mathematical signs, and currency symbols. Each character has the same advanced width in all the fonts in the family so that changing from regular to bold or italic does not affect word wrap.
The typeface features more open counter spaces and a more strongly contrasting, calligraphic italic. It has been released commercially by Adobe, among others, recently in an updating by Linotype. The new typeface included 1. Initially the family comprised ten fonts, but a condensed version was added in 2.
Times Modern was unveiled on 2. November 2. 00. 6, as the successor of Times Classic. It was designed by Research Studios, led by designer Neville Brody with input from Ben Preston, deputy editor of The Times. In addition: William Starling Burgess. Giampa claimed that he stumbled upon original material in 1. Lanston Monotype. Giampa claimed that some of the papers that had been his evidence had been lost in a flood at his house, while Parker claimed that an additional source was material in a section of the Smithsonian now closed due to asbestos contamination.
One notable example is Georgia, shown right, which has very similar stroke shapes to Times New Roman but wider serifs. Times Modern was a condensed and bold display variant published by, among others, Elsner+Flake.
It was withdrawn from sale due to trademark disputes with the Times newspaper, which owns its own unrelated design named 'Times Modern' (see above). This was an ultra- premium electric 'golfball' typewriter system, intended to be used for producing high- quality office documents or copy to be photographically enlarged for small- scale printing projects. Ultimately the system proved a niche product, as it competed with increasingly cheap phototypesetting, and then in the 1. Nimbus Roman No. 9 L, URW's Post. Script variant, was released under the GNU General Public License in 1.
This was later adapted as Free. Serif. URW also developed Nimbus Roman No.
CG Times. The STIX Fonts project is a four- style set of open- source fonts. They were created for scientific publishing by the Scientific and Technical Information Exchange consortium of publishers, but are also very suitable for general use, including Greek and Cyrillic support. It was developed by Ascender Corp. Bitstream no longer offers the font, but it remains downloadable from the University of Frankfurt. The major changes to the Times Roman typeface itself were a reduction in the slope of italic characters to 1.
Greek nu. The 4- line system involved casting characters for 1. Times Roman on 6- point bodies. The top of the character would overhang the slug, forming a kern which was less fragile than the normal kerns of foundry type, as it was on a slab of cast metal.
This technique had been in previous use on Monotype machines, usually involving double- height matrices, to allow the automatic setting of . This meant that the same matrix could be used for both superscript and subscript numbers.
More importantly, it allowed a variable or other item to have both a superscript and a subscript at the same time, one above the other, without inordinate difficulty. Previously, while the Monotype system, due to its flexibility, was widely used for setting mathematical formulas, the typeface Modern Series 7 was usually used for this purpose. Matrices for some 7. Times Roman Series 5. See also. Now little- known, the success of its replacement has led to it sometimes being called Times Old Roman in reference to its successor and a famous cover of Monotype's trade journal Monotype Recorder which presented it under this name.
The Monotype Recorder of 1. Monotype in 1. 90. Miller & Richard; Monotype Modern is the same or similar.
Generally, however, italics are preferred in normal use for serif fonts, and in Times the italic is a reasonably conventional design.^Frederic Goudy, one of the leading American type designers of the period. Morison considered his very warm, organic tastes in letter design somewhat florid and self- indulgent.^Monotype's article on the creation of the new type provides a side- by- side comparison of text in both typefaces. Bush's somewhat chequered military service in an unfavourable light were presented by the American news network CBS. The documents were typeset in a form of Times New Roman.